This brass incense burner is a beautiful example of Tibetan-style craftsmanship. The 10 cm wide and 8 cm tall holder is richly decorated: ancient patterns run around the surface, red and blue semi-precious stones are set on its two sides, and on top a half dorje symbol proudly rests.
The Symbol of the Dorje
The dorje, or vajra, is one of the central symbols of Tibetan Buddhism. The word means: indestructible, diamond-hard. It symbolises strength, stability and the unshakable foundation of enlightenment. The half-cut version shows that the holder is not only a decoration but also a tool of spiritual practice.
Brass Material
Brass is a durable, solid metal that acquires a patina over time and becomes even more beautiful for it. The polished surface highlights the fine drawing of the decorations, while the weight of the metal provides stability: the holder does not topple even if someone accidentally touches the table. The gross weight is approximately 122 grams.
Decoration with Semi-Precious Stones
On the sides of the holder you will find red and blue shaded semi-precious stones. The contrast of red and blue is striking, and the stones match the spiritual colour pairing of the Tibetan tradition. The stones are small in size but carefully set, giving the holder its richly adorned character.
Fixing the Incense Stick
On top of the holder there is a precise opening that fits standard incense sticks. The stick stands vertically, and the weight of the brass guarantees stability. The ash collects inside the holder, so it does not scatter on the table.
Cleaning and Care
You can wipe the brass surface with a lightly damp, soft cloth. Over time, the brass may acquire a patina – many consider this beautiful, but if you prefer a polished surface, you can occasionally refresh it with brass cleaning cream. The semi-precious stones are sensitive to chemicals, so avoid acidic or alkaline cleaning agents.
What to Consider Before Buying
The holder is intended for indoor use and arrives in bubble wrap packaging to protect the stones. The decorations and the placement of the stones are the result of handwork, so small variations may exist between pieces. Patination is a natural process, not a defect.